Décalage horaire pour Tweet Time- départ pour Istanbul

Tweet time part en Turquie pour l’exposition monographique « Time is money » d’Olga Kisseleva.
Du 9 mai au 7 juin, le programme tournera en continu avec une extraction des tweets en anglais et le filtre: « no time ». La masse des tweets étant beaucoup plus importante en anglais qu’en français, on peut se demander de combien de temps l’horloge va reculer (à raison d’une seconde par tweet capté).

Time is Money and Money is Time are the two new exhibitions by Olga Kisseleva for Kasa Gallery and for the Museum of Contemporary Cuts. The exhibitions are conceived as two complementary and intertwined shows that happen simultaneously in physical and online spaces, creating a constant dialogue and reflection on the concept of money and time.
Time is Money, the exhibition at Kasa Gallery, will show a series of artworks and videos by Kisseleva that analyze the monetizing of time not as an invaluable personal possession but as an object that can be exchanged. As an artist that crosses multiple media – video, installations, performances – Kisseleva through her works of art questions the role that we all play in relinquishing our time for monetization.
Particularly within the context of contemporary XXIst century media based societies, technology allows massive forms of exploitation and abuse. Time, as a personal property, is left at the mercy of a large variety of forms of exploitation that enshrined in forms of crowdsourcing and capitalistic frameworks of servitude, transpose time from the individual’s agenda to the corporation’s agenda. The tasks associated with time are no longer dictated by individual concerns but by corporative structures that by re-allocating and creating tasks, steal time and money.
The landscape, in Kisseleva’s works of art, is a space of exploitation and abuse where time signals the disappearance of resources; the time left to consume resources is directly related to the time necessary to appropriate those resources. Consumption is instantaneous – and within the circuit of the circulation of goods even anticipated with Futures; the time of the future (a time not come into existence yet) is already consumed.
In this landscape humanity itself becomes ‘consumption goods.’ Its time is taken away and reassigned in the increased velocity of human interactions restructured and framed within meta-data frameworks of post-capitalistic exploitation.
Goods and people they are all pointing towards time: but this time is a reversed form of consumption in which Chronos, the god of Time is no longer able to eat its own children because he has produced children who are devouring in the name of money the world within which they live, Chronos and time itself.
The work by Olga Kisseleva was created in collaboration with the Art&Science Lab of Sorbonne (Paris), ARNUM lab of ESIEA (Paris) and the Museum Of Contemporary Art of Krakovy – MOCAK